Then we are heading down to the color editor, which should be right below your color balance tool. Be sure to keep the adjustment very subtle, the color balance tool is fantastic, but it’s easy to go overboard with it! For now, leave the luminosity slider alone, and only use the color wheel and saturation sliders. Note that the slider left to each color wheel adjusts the saturation and the one to the right the luminosity. Because the color balance is designed to adjust the shadows, mid-tones, and highlights individually, it’s the perfect tool for the look we are going for! Let’s add a bit of blue in the shadows, cyan in the mid-tones, and orange/yellow in the highlights like so: The cinematic look is usually cold with blue or cyan in the shadows and yellow or orange in the highlights. We are going to skip the master tab, and head straight to the 3-Way – if it’s not precise enough for you, use the three following tabs which act the same. Using the default Capture One Pro 10 workspace, you should find the color balance tool right below the white balance. If you adjust it afterward, you may need to readjust everything we are going to do. White balance may not seem like a big deal, but it will significantly affect the rest of the workflow. If you shoot a gray card, be sure to use it, if not, press the A at the top of the white balance tool and then adjust manually until you feel like your image is neutral. Let’s head to the color tab and adjust the white balance to obtain a neutral result. Let’s start with Capture One Pro 10 opened with your latest beautifully shot and lit portrait. The tutorial will concentrate on portraiture, however, if you are a street, landscape, or still life photographer, most principles can apply.
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